by Raymond Ibrahim
Several are the important lessons learned from last year’s “Brave German Woman” incident.
Context: On November 10, 2013, a Muslim imam was invited to give the Islamic call to prayer inside the Memorial Church of the Reformation in the city of Speyer, Germany—a church dedicated to honoring Martin Luther and the Protestant Reformation.
“When the brave German woman, whose real name is Heidi Mund, heard about the event, she prayed,” reports CBN News. Not sure what she would do upon arrival, she grabbed her German flag emblazoned with the words “Jesus Christ is Lord” and headed for the concert:
“Until the imam started with his shouting [“Allahu Akbar!”], I did not really know what to do. I was just prepared for what God wants me to do,” she told CBN News.
Then the Muslim call to prayer began, and Heidi said she felt something rising up inside her.
“I would call it a holy anger,” she recounted. “And then I rose with my flag and I was calling and proclaiming that Jesus Christ is Lord over Germany”…
And she repeated the words of Martin Luther in 1521 after he refused to recant his faith in scripture alone: “Here I stand. I can do no other” and “Save the church of Martin Luther!”
Video shows another concert-goer trying to calm her by saying, “This is a concert for peace.”
Mund can be heard responding in German, “No it’s not! Allahu Akbar is what Muslims scream while murdering people! Don’t be fooled! Don’t be fooled! This is a lie!”
She was thrown out of the church….
by ANDREW E. HARROD
Unfortunately, Pintak’s remedy to this problem, the online guide “Islam for Journalists” edited by Pintak, betrays an absurdly benign understanding of an Islam whose apparent only fault is being slandered by others.
“Across the Muslim world today,” Pintak’s introduction notes, “extremists are wielding their swords with grisly effect, but the pen…can be just as lethal.”
The 2012 “lewd cartoons of the Prophet Muhammad” in the French satire magazine Charlie Hebdo, for example, receive Pintak’s censure while, like many journalists today, he uncritically applies the honorific “Prophet” to Islam’s founder. Charlie Hebdo’s editor had condemned the weapons used in violent reactions to the anti-Muhammad “Innocence of Muslims” internet movie trailer preceding his cartoons. Yet the “weapon he controlled can do far more damage,” Pintak warned in equating speech with the violent reactions of others, then “evident in the conflagration…erupting across the Muslim world.”
Screenshot of the “Innocence of Muslims” portrayal of Muhammad. (Image: YouTube screenshot)
“A commitment to press freedom is in my blood,” Pintak qualified against suspicions of censorship. Yet speaking of the 2005 Danish Muhammad cartoons and their violent response, Pintak showed sympathy for those who refused their publication.
“[M]any Muslim journalists,” Pintak related in denying these “Motoons” any news value, “simply couldn’t understand why Western news organizations would republish the offensive images just because” of a legal right. Yet “journalism is not supposed to be a weapon” but rather “to inform, not inflame; to understand, not distort,” in contrast to “propaganda.”
The Danish cartoons exhibited “in our increasingly interconnected world,” writer Jonathan Lyons similarly relativized, “a number of central issues.” These included the “proper extent of press freedoms; minority rights; the shifting landscape of blasphemy laws and prohibitions; and the history of Muslim grievance toward the West.”
Rather than criticize Muslim rioters, Lyons complained that “almost no one reported on…the Danish media and its supporters as cynical provocateurs motivated by domestic political concerns.”
Beyond free speech controversies, “Islam for Journalists” favored Islam with numerous biased and false statements.
After discussing how Islam “roughly translates as ‘surrender’ or ‘submission’…to the will of Allah,” Pintak noted that Muhammad in Islam, “although he is not divine, he is considered ‘the Perfect Man.’”…